Saturday, October 1, 2011

Broadway Boys: Mr. October 2011: Jeremy Jordan

Mr. Broadway October 2011
Jeremy Jordan

WHY HE'S MR. BROADWAY: Maybe it is the fact that he's been a Broadway star on the rise since he took over the role of Tony in West Side Story.  Maybe it is the fact that he is the lead in the Paper Mill Playhouse production of the world premiere of Disney's Newsies.  Or maybe it is the fact that the entire annual article about fall musicals on Broadway in the Arts Fall Preview of The New York Times was about him, the star of two, big musicals: the aforementioned and possibly Broadway-bound Paper Mill show and the definite Broadway show, Bonnie and Clyde.  And it very well could be the fact that he is one half of one of Broadway's "it" couples - his fiancee is Priscilla's Ashley Spencer.  No matter what it is, Jeremy Jordan is the real thing - talented, easy on the eyes, and an honest-to-goodness Broadway baby!

OTHER INFORMATION:
Age: 26
Education: Ithaca College, Class of 2007
Personal: Engaged to Ashley Spencer who is in Priscilla Queen of the Desert
Where you might have seen him: Broadway: Rock of Ages (swing), West Side Story (Tony); Regional: Big River (Goodspeed Opera House), Bonnie and Clyde (Asolo Playhouse); TV: Law and Order: SVU; Film: The Banker and the Baseball, Joyful Noise 
Where you can find him on the Internet: http://www.jeremy-jordan.com/ or http://www.bonnieandclydebroadway.com/.  Be extra careful if you Google him, though.  A certain "adult entertainment" actor has the same name...

IN PHOTOS:



Headshots



Indie Film: The Banker and the Baseball (2007)


Broadway in  Bryant Park

On the set of Rock of Ages
(far right)

From The Men of Rock of Ages calendar
Rock of Ages

Backstage at West Side Story
with Tony-winner Karen Olivo

Two Tonys: Jeremy Jordan and Matthew Hydzick
 West Side Story







Hartford Stage's
The Little Dog Laughed
with Chad Allen



Bonnie and Clyde: Jeremy Jordan
and co-star (and former Ms. Broadway) Laura Osnes

Promo art for Bonnie and Clyde
Regional Theatre: Asolo's
Bonnie and Clyde



With War Horse co-star Matt Doyle (left)

At Broadway charity events



The New York Times feature boy!

With Andrew Keenan-Bolger in rehearsal

As Crutchie and Jack
in Disney's Newsies

Another rehearsal...
Disney's Newsies
at Paper Mill Playhouse




Promo Art for Broadway's "Most Wanted Musical"
Bonnie and Clyde




Film: Joyful Noise with Dolly Parton


Jeremy with Josefina, Kara and Laura
Notice a trend with Jeremy and his leading ladies?


But Ashley is probably the most important
leading lady in his life!


IN VIDEO:

Promo for Disney's Newsies at Paper Mill Playhouse



Singing the National Anthem at the World Tennis Team tournament



The trailer for Jeremy's upcoming film, Joyful Noise




(Photos and videos from: Playbill Online, Broadway.com, jeremy-jordan.com, YouTube, Getty Images and bonnieandclydebroadway.com)

Rate this blog below and leave your comments here, or by email at jkstheatrescene@yahoo.com, or Tweet me!
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Jeff

Friday, September 30, 2011

EXTRA! EXTRA!: Newsies to Broadway?

To me, the only surprising thing about the idea that the new stage musical version of Disney's Newsies might be headed to Broadway, is that it is finally in print.  I had an inkling the minute it was announced.


It is true that Disney has a history of mounting productions of stage versions of it movies to see how the adaptation plays before releasing it for licensing to theatre groups.  One of those productions, 101 Dalmatians resulted in a National Tour.  Most recently, a staged Aladdin  played in California.  Neither materialized into a Broadway (or even off-Broadway) production.  So how could I have guessed that this would be different?

"Sieze the Day!"

1.  It's a question of company-wide marketing.  The Disney powers that be announced about a year ago that it would try to veer from girl-centric "princess" properties in order to bring boys into the fold.  You'd think Aladdin would fit that bill.  Newsies certainly fits the bill - there's only 1 supporting female character of note in the film version, which is ABOUT boys.

2.  It is a question of funding.  The press given that production of Aladdin would not repeatedly mention that the production was on a very limited budget, with very few extra special effects.  Of course, it makes sense.  No one but Disney has a Disney budget, and if it is to be licensed to everyday theatre companies, it must be seen as a viable possibility.  The press for Newsies, while mentioning it as a try-out for licensing, is receiving a "full production" at the Paper Mill Playhouse.

Doesn't this seem pretty elaborate for a
"any theatre can do this show" show?

3.  It is a question of creative staffing.  Come on.  If Newsies were never under consideration for at least a National Tour, would multiple Tony-winner Harvey Fierstein come on board as a book writer, completely overhauling the story and making it more "current audience friendly"?  Would Alan Menken have rearranged the score and written new songs? (Aladdin featured new material - all from the original film cuts)  And there is director-choreographer Jeff Calhoun, much in demand and high profile this season with his Broadway-bound production of Bonnie and Clyde.

4.  It is a question of location, location, location.  If you don't want to be noticed by the biggest fish in the pond, you don't produce a full-out production in the same pond!

A new central love story, and Broadway's hottest star
of the moment, Jeremy Jordan

5.  It is a question of press.  Look at the coverage of Newsies in just The New York Times  and on Playbill Online.  It is certainly befitting of any Broadway-bound production.  Maybe the press people at Paper Mill Playhouse are THAT good.  But Disney, I'm sure, has a full grasp on very word printed about it anywhere in the world.  The Times gave the production a full review, one of those multimedia features, and, in its Fall Preview of the Arts, the only article about Broadway musicals this season was about star Jeremy Jordan doing two shows this season - Bonnie and Clyde and NewsiesPlaybill Online has been running feature articles on the show for weeks - interviews with Jordan, a "Cue and A" with the new female lead/love interest, and several videos featuring the show.  There are Broadway shows already on Broadway that don't get that much ink or cyberspace.

Whether or not the show gets to Broadway remains to be seen at this point.  It'll be disappointing at this point if it doesn't.  But it won't be all that unexpected if it does.


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Jeff
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Thursday, September 29, 2011

Jigsaw Puzzles IV: Follies Edition

Here are some more puzzles for you to enjoy this weekend.  CAUTION:  These two are much more difficult!  Have fun!

Jigsaw Puzzle #10  (198 pieces)

This is FRAVER's interpretation of the show - the 2011 revival window card!



Jigsaw Puzzle #11 (260 pieces)

The original poster is a Broadway icon - as famouws as the show it is advertising.



Rate this blog below, and leave your comments here, or by email at jkstheatrescene@yahoo.com, or Tweet me!
Jeff
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Wednesday, September 28, 2011

In Defense of Glee

Caution: The following blog contains Glee Season 3 plot spoilers.

Much ink and TV time has been spent discussing the Season 2 downfall of Glee.  And many an ultimatum has been thrown around ("If things don't get better, I'm going to stop DVRing Glee!", etc.).  OK, we are now a mere 2 episodes into the new season - a season that creator Ryan Murphy and others have promised would highlight the main characters, and have more focused plot lines.  In other words, Glee 3.0 will try to be more like Glee 1.0, which assumes that Glee 2.0 was all that bad.

The truth, for me at least, is that season 2 was a little uneven.  And it has some of the very best moments of the entire series so far.  Coach Beiste (Dot-Marie Jones).  Sue (Jane Lynch) nurturing Becky (Lauren Potter).  Bullies (Max Adler) dealt with.  Every scene with Brittany (Heather Morris).  Every second Chord Overstreet was on screen.  Artie (Kevin McHale) getting to walk for Christmas.  The Dalton Academy Warblers.  "Thriller."  Gwyneth PaltrowDarren Criss.  The return of Finn (Corey Montieth) and Rachel (Lea Michele).  The amazing identify yourself (the t-shirt episode) episode.  And there were some things I could have done without.  Rocky Horror (I don't really care for the show).  Carol Burnett and Sue marrying herself (WTF?).  John Stamos (great guy, lousy encroaching character).  The positives far outweigh the negative for me.


Chord Overstreet as Sam

"Born This Way" (The tee-shirt episode)


"Thriller"

Still, one can understand the "sophomore slump."  Season 2 means it isn't new any more.  The surprises - which often cover the flaws - are fewer.  And writers are damned if they do, damned if they don't.  Trying to change characters can be dangerous.  Too much trying to advance the plots in new directions can be deadly.  And yet, not changing characters and making them grow can be just as deadly.  And if the plots get too repetitive, God help the show.

So, over the past couple of weeks, I've been reading the comments left by people after articles about each of the two first episodes of Season 3 and have looked over the chief complaints about Season 2.  I've narrowed it down to their four main comments about last season and a couple of their thoughts about season three (already)!

1.  There is too much Rachel/Kurt and not enough of the others! 

OK.  There is a lot of Rachel and Kurt (Chris Colfer).  But you go with your strong suit.  They are just that: the most talented, the most complicated, the most broken.  All of that adds up to the most compelling characters.  BUT... let's not forget the transformation of Puck (Mark Salling) into a decent, if challenging, guy.  The emergence of Artie... Two girlfriends!  The football team!  Losing his virginity!  Just about every male solo in New Directions numbers.  Not bad.  How about the "Asian Invasion"?  Mike Chang (Harry Shum, Jr.) is a dancing machine and too sexy for a high school kid... and Tina (Jenna Ushkowitz) backing up everyone - not just on stage, but she's the go-to girl for advice and unity.  The emergence of Santana (Naya Rivera) and Brittany as full, multi-dimensional characters.  Quinn's journey from pregnant teen to top of the high school heap, and her downfall... two interesting supporting characters in Lauren (Ashley Fink) and Sam... two down to earth adults with a major plot line - Kurt's dad and Finn's mom (Mike O'Malley and Romy Rosemont) ...  All of that and still too much Rachel and Kurt?  Hmmmm....


Quinn and Santana

Tina and Mike
2.  More Finn!  More Blaine! 

Let's go back to number one first.  More Finn and More Blaine by necessity means More Rachel and More Kurt.  You can't have your cake and eat it, too...  Finn figured prominently in most of the story lines last season, and Kurt wouldn't have grown without Blaine.  And, gay or straight, isn't it nice that there are two couples who are stable AND interesting (Mike/Tina and Kurt/Blaine).  It is hard to think of any plot that didn't involve one or both of these great guys.

3.  Too much singing and dancing! 

Um, it is about a glee club.  Singing and dancing are what they do.  And you knew going into it that it was also a musical comedy, so characters will burst into non-glee club numbers, too.  Sub-complaint: too many show tunes.  I think it is pretty 50-50.  But... (see below)

4.  The show is not realistic! 

Um, it is about a glee club. Singing and dancing are what they do. And you knew going into it that it was also a musical comedy, so characters will burst into non-glee club numbers, too. 

Not to mention that TV is not supposed to be entirely realistic.  If you want real life watch the National Geographic channel.  For me, Glee is a one hour break from the bad news on TV, the Internet and Twitter, from the lousy government, global economic woes, earthquakes, hurricanes and war.  But, even given the musical numbers, there is a certain grounding to the show that is very much based on reality.  Have you been in a public high school recently?  It is more like Glee than not like Glee

And that age old complaint: things get tied up in one or two episodes.  Not true.  But even so, each individual episode wraps up all neat and tidy, true enough.  It is TV, folks.  We need closure before the next show starts!  Not real?  Well, each episode clearly takes place over several days, but is cut to fit in 44 minutes.  And in reality, a lot of high school issues come and go in one school day.  Have you forgotten that?  Still, if CSI can get a DNA test result in 15 minutes instead of a week or more and we can accept that, why can't we believe that a group of kids can spend all day in class, practice sports and cheerleading, and still light, costume and choreograph multiple production numbers a week?  I wish real life worked like that.  I tell you, my job would be so much more fun if me and the other cubicle dwellers dropped our wireless keyboards and burst into a full dance number to "The Brotherhood of Man"!

And the two biggest complaints so far about Season 3?  Here they are:


Coach Beiste, Artie and Emma
 1.  Why West Side Story? 

Well, why not?  It is a show the general public at least recognizes and can draw parallels from.  The cast is ideal for that show.  It is a show high schools can actually do.  (My favorite comment at Rolling Stone asked why they couldn't do something more modern like American Idiot or Rock of Ages?  Well, that would certainly blur the line between show tunes and pop songs.  But can we talk content?  As cool as it would be, the story of American Idiot would never be approved (not to mention all of the language and situational cuts that would have to be made) by a school.  And they have already done most of "the score" of Rock of Ages.  Plus, do we really need to see Mercedes as a madame or Quinn having dirty men's room sex with Puck or another gay character for Kurt to play?  You can't have it both ways...

Rachel and Finn

Kurt and Blaine
2.  There hasn't been enough singing and dancing/where has Finn been? 

Wait... before there was too much singing and dancing?  Now "15 minutes between songs is unbearable?"  How else can we focus on plots that don't concern Rachel directly?  And Finn's lack of being "in front" also allows others to take up some screen time... like Artie, Coach Beiste, Emma and Mike Chang?  Not to mention Mercedes' new boyfriend, Rachel's dad's, Mike's parents, Emma's parents...

Coach Beiste and Mr. Hummel

Will and Emma
It has been exactly 88 minutes into the new season.  We have 20 more episodes to see where everyone ends up.  And with Kurt, Finn and Rachel graduating, I'll bet toward the end, we will see more not less of them.  Still, today's news of the hiring of a new actor who will actively pursue Blaine should make things interesting even if it does mean more Kurt.  And let's not forget The Glee Project winners who will figure into major story lines concerning Brittany, Santana and Puck will take up a lot of screen time, too.  Add more Idina Menzel, a juicy plot for Matthew Morrison, and hopefully an interesting end to the Sue-runs-for-office plot, and I think the outlook is terrific.

One thing:  I really miss the slushies...

I'll bet, too, that no matter what, some people won't be happy.  Too much Sue, not enough Sue.  Too much Rachel, not enough Rachel.  Too much singing, not enough singing.  To you, I say stop watching Glee, or at least stop complaining about it.  If you are taking time to complain, then, one, you care enough about it to express an opinion, and, two, you are still watching it!



Rate this blog below and leave your comments here, by email at jkstheatrescene@yahoo.com or Tweet me!
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Jeff

Tuesday, September 27, 2011

My Day at the Flea Market

Expecting bad weather, my friends and I spent a good part of Saturday monitoring the New York City weather forecast.  It fluctuated between a 30% to an 80% chance. Ick, right?  Well, it turned out that all three of us bringing our umbrellas to the 25th Annual Broadway Flea Market and Grand Auction not only kept the rain at bay, but the sun even made a few appearances!

Of course, the real success of the day was the over one-half a million dollars raised for Broadway Cares Equity Fights AIDS!  For details and more numbers, check out THIS.


For me, there is no other event where I feel so connected to the world around me.  I mean, think about it, thousands of people who share a love and passion for theatre coming together for a great cause, and also submerge ourselves in more than city block's worth of memories, history and art.  And the fact that right along with us are the artists themselves, volunteering time, and not just photo ops and autographs, but real time talking to fans.  How fortunate we all are to share such an experience like this. 

Here are a few of my impressions of the day:

  • Best Trend: BRIGHT COLORS!  RED: Godspell; ORANGE: Lysistrata Jones; YELLOW: The Lion King  You couldn't help but notice them even in a tight 44th Street crowd or the sensory overload of Times Square.  The yellow beacon of The Lion King's booth tent... the orange sign, pom poms and basketballs of Lysistrata Jones brought life, and crowds to their simple booth, and the bright red of the t-shirts and hats of the street team, passing out fliers, and again on the cast members at their booth.
  • Best Mini-Trend: Balls.  Yes, balls.  Both Lombardi and Lysistrata Jones had balls - foot and basket, respectively.  And what fun... squeezey stress relievers and fun bath toys both!
  • Best Connection:  The cast and crew of Lysistrata Jones!  They did what all the best do: reach out and relate.  Not only did they cheer on every single brave soul who tried to win tickets by shooting baskets, but they took time to chat and laugh with anyone who wanted to.  Patti Murin and Teddy Toye are the very picture of grace, warmth and enthusiasm... their attitude alone would make me want to buy tickets.  (And I would have bought them then and there, but I already have them!)


  • Best Freebies:  The free tattoos from Godspell and the free pom poms from Lysistrata Jones.  Free is great, even at a fund raiser, but these accomplished much more.  Every time a smiling face walked by with that show logo on it, I thought of Godspell, and every time I saw someone carrying one, or saw one left behind at another table, or even the two or three I saw on the street, the bright orange and the fun, fizzy plastic reminded me of Miss Jones and her jock friends!  (This show will go miles in bridging the gap between the jocks and the drama geeks!)
  • Best High End Memorabilia: The goods at the War Horse booth.  Not just signed Playbills and posters, but unique magnets featuring all of the puppeteers, and beautiful sketches of the set, mounted and autographed.
  • Best Memorabilia for the Everyday Masses: $1.00 posters at the Triton Gallery booth, $3 posters at the ITS booth, $10 dollar posters at The Book of Mormon table.  A savvy, patient shopper can find some real bargains... TIP FOR NEXT YEAR: Go back several times to the Triton Gallery booth.  The stock is constantly changing.
  • Best Personal Find:  A mint condition Chicago window card featuring Sandy Duncan!  An actual board poster is probably very expensive, and only a photo reproduction of it is available from Triton Gallery for just $75!  My actual poster, sans flaws? $3.00!!!

My final haul: a Lombardi ball: $1.00; window cards: Lombardi: $1, Chicago:$3, Broadway Bares 19.0: $5, and a pristine Anything Goes: $10.00; a Sweeney Todd (LuPone/Cerveris) CD sampler $1, Lysistrata Jones pom pom: FREE.  $21.00 for a bounty of stuff I love and can't get anywhere else.  Not bad!

I am really looking forward to next year's event already.  And all shows should take note of the two shows who really stood out, Godspell and Lysistrata Jones.  And just think, neither of those shows have even opened yet!  I can only imagine how great those shows will be...

Rate this blog below and leave your comments here, by email at jkstheatrescene@yahoo.com, or Tweet me!
Jeff
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