Showing posts with label The Lion King. Show all posts
Showing posts with label The Lion King. Show all posts

Monday, October 3, 2011

More Shows for Boys?

I guess it isn't too surprising to hear from Newsies star Jeremy Jordan that the Disney film upon which the show is based is part of what made him want to be a musical theatre actor.  Or that Lysistrata Jones star Josh Segarra decided the stage was for him after seeing a performance of Take Me Out.  It is moments like that - life changing moments - that most actors can site without even thinking about.  For Jordan, it was seeing guys sing and dance; for Segarra it was about the connection to sports and making that connection onstage.  Either way, we are all better off because these two amazingly talented rising stars have made acting their career.

Boy Gets the Girl: Jeremy Jordan in Newsies
and Josh Segarra in Lysistrata Jones

The review for Disney's Newsies in the New York Times, talks about the future of the property, with Broadway looking more likely than ever, but questions its potential has a mega-hit "Disney" musical.  "The bigger question is Broadway, where the absence of magical elements (talking animals, flying nannies) or a brand-name title may be a handicap, particularly in such a boycentric show."  OK, maybe a lack of flashy spectacle may discourage parents from bringing the littlest theatregoers.  But what about the grossly under served middle and high school boy?  It stands to reason that "boycentric" shows will be of interest to boys.  Boys seeing characters that they can relate to will make a show interesting and even "cool."

There are shows on Broadway right now that should be speaking to these young men, each with a unique role model and hero for boys to look up to.


Spider-Man: Turn Off the Dark:  The spectacle, the danger, the awesome aerials, a very cool villain, and even the pretty girl should draw every young comic book fan to the Foxwoods Theatre.  But ultimately, what should stick is the best "boy" character on Broadway, Peter Parker.  There isn't a guy in the world who hasn't felt like a goober - awkward, geeky, zero romantic skills, unheard.  And he's an underdog who rises above all of the bullying.


Disney's The Lion King:  Is there a better way to teach an important lesson about what it means to take responsibility for one's actions, and for the larger picture of being made to answer to the generations before and to provide for generations in the future?  And that it is a young man/cub who takes this journey should make it interesting and poignant to boys of all ages.


Billy Elliot: The most literal lesson on the importance of the arts in a boy's life could also be the coolest and without special effects to boot.  Add the fun of the boy outdoing all those girls certainly has its appeal to a young guy's ego.  It also makes "expressing yourself" no matter how you choose to do so very appealing as well.


War Horse: Life-sized horses, thrilling war scenes, and a young man who sets his fear aside for his best friend sounds like the perfect "boy story" to me.  And what a great chance to show a kid that live theatre can be as action-packed and exciting as a movie!  The ride home could also provide parents a great chance to talk about important "boy" issues - familial responsibility, loyalty, the perils and downside to war, and, yes, the strength of women through it all.

High school guys have Lysistrata Jones to look forward to - college basketball, sexy cheerleaders AND music that you would NOT be embarrassed to have on your iPod!  And if Newsies makes it to Broadway, there's a show for any guy in the family!



Why is that important?  Now is the time for the theatre gods to find the next Jeremy Jordan, Seth Numrich, Reeve Carney and Josh Segarra.  Do you know a young man whose life might be ready to change?  Take him to a Broadway show!


Rate this blog below and leave your comments here, or by email at jkstheatrescene@yahoo.com, or Tweet me!
Jeff
3.035

Tuesday, September 27, 2011

My Day at the Flea Market

Expecting bad weather, my friends and I spent a good part of Saturday monitoring the New York City weather forecast.  It fluctuated between a 30% to an 80% chance. Ick, right?  Well, it turned out that all three of us bringing our umbrellas to the 25th Annual Broadway Flea Market and Grand Auction not only kept the rain at bay, but the sun even made a few appearances!

Of course, the real success of the day was the over one-half a million dollars raised for Broadway Cares Equity Fights AIDS!  For details and more numbers, check out THIS.


For me, there is no other event where I feel so connected to the world around me.  I mean, think about it, thousands of people who share a love and passion for theatre coming together for a great cause, and also submerge ourselves in more than city block's worth of memories, history and art.  And the fact that right along with us are the artists themselves, volunteering time, and not just photo ops and autographs, but real time talking to fans.  How fortunate we all are to share such an experience like this. 

Here are a few of my impressions of the day:

  • Best Trend: BRIGHT COLORS!  RED: Godspell; ORANGE: Lysistrata Jones; YELLOW: The Lion King  You couldn't help but notice them even in a tight 44th Street crowd or the sensory overload of Times Square.  The yellow beacon of The Lion King's booth tent... the orange sign, pom poms and basketballs of Lysistrata Jones brought life, and crowds to their simple booth, and the bright red of the t-shirts and hats of the street team, passing out fliers, and again on the cast members at their booth.
  • Best Mini-Trend: Balls.  Yes, balls.  Both Lombardi and Lysistrata Jones had balls - foot and basket, respectively.  And what fun... squeezey stress relievers and fun bath toys both!
  • Best Connection:  The cast and crew of Lysistrata Jones!  They did what all the best do: reach out and relate.  Not only did they cheer on every single brave soul who tried to win tickets by shooting baskets, but they took time to chat and laugh with anyone who wanted to.  Patti Murin and Teddy Toye are the very picture of grace, warmth and enthusiasm... their attitude alone would make me want to buy tickets.  (And I would have bought them then and there, but I already have them!)


  • Best Freebies:  The free tattoos from Godspell and the free pom poms from Lysistrata Jones.  Free is great, even at a fund raiser, but these accomplished much more.  Every time a smiling face walked by with that show logo on it, I thought of Godspell, and every time I saw someone carrying one, or saw one left behind at another table, or even the two or three I saw on the street, the bright orange and the fun, fizzy plastic reminded me of Miss Jones and her jock friends!  (This show will go miles in bridging the gap between the jocks and the drama geeks!)
  • Best High End Memorabilia: The goods at the War Horse booth.  Not just signed Playbills and posters, but unique magnets featuring all of the puppeteers, and beautiful sketches of the set, mounted and autographed.
  • Best Memorabilia for the Everyday Masses: $1.00 posters at the Triton Gallery booth, $3 posters at the ITS booth, $10 dollar posters at The Book of Mormon table.  A savvy, patient shopper can find some real bargains... TIP FOR NEXT YEAR: Go back several times to the Triton Gallery booth.  The stock is constantly changing.
  • Best Personal Find:  A mint condition Chicago window card featuring Sandy Duncan!  An actual board poster is probably very expensive, and only a photo reproduction of it is available from Triton Gallery for just $75!  My actual poster, sans flaws? $3.00!!!

My final haul: a Lombardi ball: $1.00; window cards: Lombardi: $1, Chicago:$3, Broadway Bares 19.0: $5, and a pristine Anything Goes: $10.00; a Sweeney Todd (LuPone/Cerveris) CD sampler $1, Lysistrata Jones pom pom: FREE.  $21.00 for a bounty of stuff I love and can't get anywhere else.  Not bad!

I am really looking forward to next year's event already.  And all shows should take note of the two shows who really stood out, Godspell and Lysistrata Jones.  And just think, neither of those shows have even opened yet!  I can only imagine how great those shows will be...

Rate this blog below and leave your comments here, by email at jkstheatrescene@yahoo.com, or Tweet me!
Jeff
3.029

Sunday, September 11, 2011

Remembering 9.11.01

My mother can remember exactly where she was when President Kennedy was assassinated.  I can remember exactly where I was on September 11, 2001 when news came that the first tower of the World Trade Center had been hit by American Airlines flight 11.  We both can.  Having that kind of knowledge is something my mother is something she had always hoped her own children would not have to bear.  It is one thing in common that we both are not happy about.

But, as she always says, something good always comes out of the worst situations.  And it was just over a month later, in late October 2001, that my mother and I found our "good."

That I have a passion for Broadway and New York City is something everyone I know finds out, usually within minutes.  So when this tragedy happened, people I know immediately thought of me.  And every day for weeks, I am questioned:  "Are you ever going back to New York?"  "Aren't you afraid to go to Broadway again?"  "I bet you'll never go there again."  Remember that those days were filled with grief and sorrow, and also a lot of rumor, innuendo and fear mongering by the media; people asking me that was a natural thing.

But soon my fear - I'll admit I was scared like just about everyone else - was replaced by anger.  How dare my life, my freedom, my passion be ruined by terrorists?  And how could I let them win?  So many people died that day, and didn't we all owe it to their memory, to their sacrifice, to go on even better than before?

And so, plans were made to go to New York City.  I was determined to support the city and the Broadway community which were struggling now, just as they had supported me every time I went there.  My mother refused to let me go alone.  Off we went. 

Anne Frank famously said, ""In spite of everything, I still believe that people are really good at heart."    She was right.  And nowhere on Earth was it more evident than that October weekend in New York City.  Good was definitely coming from bad, as New Yorkers struggled to regain normalcy.  The looks of gratitude that greeted us - returning tourists - everywhere we went was heart-warming and unifying. 

We saw that look on the face of the man who held the door open for us at Penn Station, who said to my mother, "Good morning, ma'am.  Welcome to New York!"  We saw it on the faces of the desk clerks - all three of them - who gathered at the desk of the Milford Plaza to greet us.  It was Saturday morning and the lobby was completely empty.  It was very eerie, but the staff surrounded us with appreciation and gratitude and mom turned to me and said, "I am so glad we are doing this."  "So are we, miss," said the desk clerk.  We were upgraded to a suite and given vouchers for meals.  We tried to say it wasn't necessary, but it was so clear by the looks on their faces that this was more than a gesture mandated by management, and we quietly accepted.

What were we going to see was my mom's first question.  "What do you want to see? "  " I really want to see The Lion King." "I am sure it is sold out, but let's go see about when tickets are available and we'll get them for as soon as we can."  Off we went to 42nd Street and the New Amsterdam Theatre.  "When do you have orchestra seats for a Saturday matinee?"  "Well, we have Center Row G this afternoon."  I was sure we heard wrong.  "What date was that?"  "Today, sir.  2PM."  My mother, always quick to recover says, "Aren't those the expensive seats?"  "Normally, ma'am.  But these are available at the regular price."  We looked at each other, all three of us.  The lobby was empty.  The man's face said it all.  "I don't care how much they are.  We will take them!" my mother announced.  The box office guy looked strange - part disbelief, part relief. 

We literally skipped out of the theatre and walked up a practically empty Broadway toward our favorite breakfast/lunch cheap eatery, the Edison Cafe.  Like everywhere else, this place, usually crowded and bustling, was empty.  The service was terrific, the portions enormous.  We returned to our room to freshen up, and I flipped on the news.  A few minutes in came the news that surprised and scared me - Disney was the latest target rumored to be in the sights of the terrorists.  Disneyland, Disney World, and yes, Disney on Broadway were primary targets in the latest threats.  The picture was very clear.  "We are going anyway, Jeffrey," my mother announced firmly.  And we did.

Now the scene outside the theatre wasn't like it is today.  No huge crowds, no construction.  But there was a small line of people, who just like us, were defying the threats and going to see a Disney show no matter what.  It wasn't sold out, and the line to be thoroughly checked - wanded and complete-take-everything-out-of-your-bags bag checks was long.  Instead of complaining and being rude to one another, we were all resigned to this intrusion and kind of grateful that so much was being done to keep us safe.  The show was great.

With that high as a kite feeling you get after seeing a great show, we left the theatre and went up 8th Avenue to find a place to eat before returning to our suite.  A few blocks past the Milford Plaza, we walked past the fire station, doors up, firemen sitting on alert waiting for the next call.  One of the stalls was empty of any sort of truck.  Just before the corner was a make shift memorial of pictures of the men from that station who didn't make it back from the World Trade Center.  There were some drying flowers on the sidewalk.  It looked as sad and beaten down as the men still manning the station.  Mom abruptly stopped.  Then she turned around, a look of resolve set on her face.  I knew not to say a word and to follow quietly.  I stayed behind just a bit, unsure of what was happening.  She spoke to one of the men, who called for another guy who came out of the office.  They chatted briefly, and my mother reached into her purse, took out her check book and wrote out a check, handing it to the fireman from the office.  He looked down.  Looked up.  Pinched his nose and started to cry.  I don't really know what happened, but the next thing I know, my mother and I are in the middle of a crushing group hug given by weeping men much bigger and stronger than either of us.  You couldn't help but be swept up by the emotion, as if that burst of tears was a relief of pent up feeling now some 6 weeks old.

Mom never told me how much the check was for, but I know it was substantial.  The fireman from the office said, "Are you sure about this donation?  I mean, you don't even live here."  And she looked him in the eye and said, "This is my son.  He comes here a lot.  And knowing that you are here in case he needs you is all the reason I need to give you that.  I wish I had more.  You've protected me and my whole family for years and I'll never be able to thank you enough for that.  Let's go, Jeffrey." 

As we left, I looked back at their faces, full of gratitude.  Just like the guy at Penn Station, the clerks at the Milford Plaza, and the Box Office guy at the New Amsterdam Theatre.  Then, I looked down at the makeshift memorial at the smiling faces of those who would never return to their station or their families.  And I hugged my mom the whole way to dinner.



Jeff
3.013

Tuesday, March 15, 2011

Ms. Broadway March 2011: Julie Taymor

Ms. Broadway March 2011: Julie Taymor

WHY SHE'S MS. BROADWAY: Has any other woman on the Broadway scene held more influence over the past months?  No one else comes even close.  And considering her sad fall from grace, maybe a little recognition here will perk her up a bit.  I am a fan of her work.  I am a fan of anyone who not only talks about pushing/expanding/ignoring set limits, but actually does so.  Succeed or fail, she tries to move art forward and for that alone she deserves our respect and admiration.  That said, is clinging so hard to your own "vision" that you get kicked off your own team a good thing?  Absolutely not.  She of all people should know, recognize and embrace the collaborative nature of creating theatre.  Like her or hate her (which is kinda harsh unless you are personal friends), she is, was and will be a force to be reckoned with.

Currently appearing in:  Well, she is still the director of record at The Lion King, and at least, officially, she is still part of the Spider-Man: Turn Off the Dark staff.  I can't imagine her mark will be completely erased from however the show turns out...
Other Credits: Broadway: The Lion King, The Green Bird, Juan Darien.  Opera: The Magic Flute and others.Film: Across the Universe, Titus, The Tempest, amongst others.
Awards: Juan Darien: Tony nominee, Best Director of a Musical; The Lion King: Tony Award winner: Best Costume Design and Best Direction of a Musical.  Ms. Taymor is the first woman to have won the Tony in that category.
Website: http://spidermanonbroadway.marvel.com/home

IN PHOTOS:




Julie Taymor: Artist

Julie Taymor: On Film


Titus



Across the Universe


Julie Taymor: The World of Opera
The Magic Flute




Julie Taymor: On Broadway
The Green Bird, Juan Darien,
Disney's The Lion King
Spider-Man: Turn Off the Dark





















ON VIDEO:




(Photos from Playbill Online, TheatreMania, Theatre for a New Audience, The Chicago Museum of Natural History, The Henson Foundation, Disney on Broadway, and Spider-Man: Turn Off the Dark)

Comments?  Suggestions for future Mr. and Ms. Broadways?  Leave them here, email me at jkstheatrescene@yahoo.com or Tweet me!
Jeff
2.196

Sunday, January 9, 2011

TheatreScene: January 1 - 9

THIS IS MY 500th BLOG ENTRY!  SO THIS ONE IS "SUPER-SIZED"!  THANK YOU FOR YOUR SUPPORT!
DON'T FORGET TO VOTE IN THIS MONTH'S POLL!
WHAT YOU MIGHT HAVE MISSED THIS YEAR!
Mr. Broadway January 2011: Kyle Dean Massey
Goodbye, Old Friends: Part I
FAREWELL: Marcia Lewis
THEATRE BOOK REVIEW: The Playbill Broadway Yearbook, Volume 6
Spider-Man: The Christopher Tierney Interviews
Back in Time: 2002: Into the Woods (Revival): Part I: The Show
CD REVIEW: Bloody Bloody Andrew Jackson
Goodbye Old Friends: Part II

JANUARY 1: HAPPY NEW YEAR!

HISTORY:
  • There hasn't been a New Year's Day opening on Broadway since 1977's Something Old, Something New and it wasn't something successful, either.  It closed the same day.

  • In 1906 Weber's Music Hall  had a musical revue called Twiddle-Twaddle open.  It ran exactly 6 months and had 159 performances.

NEWS:

  • It's a return!  The first of 50:  Billie Joe Armstrong started his 50 show stint in American Idiot as St. Jimmy today.  With a winter that has been brutal on Broadway so far, let's hope he works some more box office magic this time around!

HAPPY BIRTHDAY: Louise Pitre, Actress (Mamma Mia!)


JANUARY 2

HISTORY:
  • In 1985, Home Front opened at the Royale Theatre.  More notable for its cast - Carroll O'Connor, Frances Sternhagen and a very young Steven Weber, the show closed after a mere 13 performances.

NEWS:


Brief Encounter (TOP) and Promises, Promises (BOTTOM)
  • Eight Broadway shows took their final bows today - Bloody Bloody Andrew Jackson, Brief Encounter, Elf: The Musical, Fela!, The Pee-Wee Herman Show, Promises, Promises, West Side Story and Women on the Verge of a Nervous Breakdown.  For a fuller report, click on the link to my blog "Goodbye Old Friends, Part I" above.

  • In much better news: Disney's Beauty and the Beast is now only Broadway's eighth longest running show in history.  That's because after today's 5,462nd performance, Disney's The Lion King became the seventh longest running Broadway show.  Hakuna Matata!

  • Speaking of long runs, Chicago, should it keep running, will surpass the long run of A Chorus Line sometime during the last week in August with performance 6,138.  Sweet revenge, considering the first time around, ACL left the original Chicago in the perverbial dust, when the latter lost all 14 of its Tony nods to the former, and ran a decent, but paltry in comparison, 898 performances.  Look for The Phantom of the Opera to hit 10,000 performances in 2012.

HAPPY BIRTHDAY: Taye Diggs, Actor (RENT, Wicked)




JANUARY 3

HISTORY:
  • In 1952, a revival of Pal Joey opened at the Broadhurst.  It starred Helen Gallagher, Harold Lang and Elaine Stritch in a cast of over 50.  After 540 performances, the show closed, but it remains the longest running Broadway production of the classic to date.

NEWS:
  • Flop or not, Women on the Verge of a Nervous Breakdown will be preserved in an Original Cast Recording!  I am serously thrilled about this since I didn't get to go back and see this little gem - a cubic zirconia in the rough, if you will.  Personally, I can't wait to do a comparison of the lyrics/songs "Lovesick" from Breakdown  and either "Great Big Stuff" or "All About Ruprecht" from Dirty Rotten Scoundrels.  Why is it sexist and degrading to talk about the moisture level of lady parts, but all in good fun to talk ball sweat?



Verge vs Scoundrels: Which is more "inappropriate"?
  • Note to Internet Rats: Christoper Tierney is making the rounds on TV - and good for him, who wouldn't escape the open arms of death and use it to further his career?  I don't blame him.  Plus, he wears that Spider-Man knit cap like a crown, so it is a win-win for everyone.  If I cut my finger off at the paper cutter at work, can I parlay that into a move up the corporate ladder?  His Interview on CBS-2 happened tonight, and it's GMA tomorrow morning!  Rehab - even physical therapy rehab - seems much more lax than I always pictured it.  Silly me.  I thought you were on a strict rest/exercise/no TV time regimen, especially after life and death 30 foot falls, skull fractures, internal bleeding and back surgery.  Hell, when I had my appendix out, I had to ask permission to take a pee.  All true, but SERIOUSLY people!  Who are you to take the guy to task for being a part of news story?  The difference is that he is handling the whole thing with more class than we are used to these days.  He wants nothing from it, clealy.  He is just getting out there, telling us he survived and holds no ill will.  I guess that's the problem for some people.  Still, I would have loved to have his rehab people after my appendectomy!  (Absolutely no offense is intended toward Mr. Tierney, who is a hero in my book, truly.  I get snippy about the people that take advantage of guys when they are down, with no rope to hold onto, so to speak.)

TOPS AND BOTTOMS (December 27 - January 2)
  • Highest Gross: Wicked ($2.2M)

  • Highest Attendance: The Merchant of Venice (102.5%); Fela! came close - 102.4%

  • Lowest Gross: The Importance of Being Earnest ($234K)

  • Lowest Attendance: La Bete (49%)

  • SRO Club: 100% or more: The Merchant of Venice, Fela!, Bloody Bloody Andrew Jackson (who great to see that!),  Jersey Boys, The Lion King, Spider-Man: Turn Off the Dark, and Wicked.  Happy New Year!

  • Record Setters: The Phantom of the Opera set a new house record at the Majestic Theatre with over $1.3M this week.  And Wicked now holds the all-time, all-Broadway record for a single week's B.O.  You go, girls!

  • $1M Club: (A nice year-end boost after last week's blizzard!) American Idiot, Billy Elliot, Elf: The Musical, In the Heights, Jersey Boys, Mamma Mia!, Mary Poppins, Memphis, The Merchant of Venice, Promises, Promises, Rain, The Lion King, The Phantom of the Opera, West Side Story and Wicked.

HAPPY BIRTHDAY: Josephine Hull, Late Actress (original casts of Arsenic and Old Lace, Harvey, and You Can't Take It with You, among many others)



JANUARY 4

HISTORY:
  • 1966 was the year and the old Helen Hayes Theatre was the place for the 7 performance flop, UTBU, which opened on this date.  The cast was better than the material, apparently: Tony Randall, Tom Aldredge, Thelma Ritter and The Wizard of Oz's Margaret Hamilton starred.

NEWS:

  • Finally, some good news from Spider-Man.  The Arachne issue - casting, not the horrible book issues as of yet - has been solved.  T.V. Carpio has taken over the role from Natalie Mendoza.  Having seen the other choice, America Olivo, I think the choice was a good one.  Now, dump the lady spiders, Julie!

  • Also from the land of Spidey: his creator, Stan Lee has publicly decreed that he fins the show's current shape to be "encouraging."  I'll take the master's word for it if he feels they are moving in the right direction.

  • Casting:  Wilson Jemaine Heredia, Tony winning Angel from RENT, will take over the role of Jacob from Tony nominee Robin de Jesus, over at La Cage.  This new cast gets better and better.  I might just have to go back... and Julia Stiles will be joing the cast of Fat Pig this spring.  If you haven't seen or heard of this play, trust me.  Put it on your "to see" list.  It is sharp, funny and really REALLY makes you think about how you see others.

HAPPY BIRTHDAY: Patrick Cassidy, Actor (42nd Street, The Pirates of Penzance, AIDA)



JANUARY 5

HISTORY:
  • Member of the Wedding opened in 1950 at the Empire Theatre, where it played 501 performances.  Ethel Waters was the star, but a very young Julie Harris stole the show.


  • The Majestic Theatre was the place to be in 1975.  On this date, The Wiz opened.  It would go on to with the Tony for Best Musical, run 1,672 performances and make stars out of Stephanie Mills, Ted Ross, Hinton Battle and Andre de Shields.  It would also mark the Broadway debut of Phylicia Ayers-Allen, better known today as Phylicia Rashad.

  • In 1984, Tom Stoppard's play The Real Thing opened at the Plymouth Theatre.  It played 566 performances and won a bunch of Tonys, including Best Play.  But the cast was really newsworthy: Glenn Close, Jeremy Irons, Peter Gallagher, Christine Baranski and Cynthia Nixon!

NEWS:

  • So long, chum.  The original Sally Bowles of Cabaret, Jill Haworth passed away today at the age of 65.  That show was her sole Broadway credit.

  • Chistopher Tierney was released from rehab today.  He left the facility walking on his own two feet.  Take that Gossip Monger!  (Gossip Monger is my new Super Villain...)

HAPPY BIRTHDAY: Bradley Cooper, Actor (Three Days of Rain)



JANUARY  6

HISTORY:
  • The Imperial Theatre in 1963 was where and when Oliver! made its Broadway debut.  It ran 774 performances, and starred Georgia Brown as Nancy and Clive Revill as Fagin.  Little Bruce Prochnik had his one and only Broadway role as Oliver Twist, and the Artful Dodger was played by future Monkee David Jones.  In a small, but pivotal role, Barry Humphries made his Broadway debut.  He would never again appear as himself on Broadway, but he has been back several times as Dame Edna.

NEWS:

  • It is a good news day, Broadway lovers!  Two shows - The Merchant of Venice and A Little Night Music announced that they both recouped their initial investments!  That is great news these days! 

  • And Colon Quin: Long Story Short announced another extension, through March 5.  Am I the only one who feels the re-opening of Rock of Ages is less a sure thing than we've been led to believe?

HAPPY BIRTHDAY: Bonnie Franklin, Actress/Singer (Applause)


JANUARY 7

HISTORY:
  • John Cullum won a Tony Award for his performance in Shenandoah, which opened in 1975 at the Alvin Theatre.  The racially charged, deceptively old-fashioned Civil War musical played 1,050 performances.

NEWS:
  • Once again, it is all Spidey News: "Public Advocate" Bill de Blasio as thrown his hat into the anti-Spider-Man ring with this gem: he wants the advertising of shows to be investigated and fined if it isn't crystal clear to ticket buyers that a show is in previews, subject to stop and to make changes not listed in the Playbill.  I'm sure he means that this will be across the board, yet he only mentions the outrageous circumstances of ticket buyers for Spider-Man: Turn Off the Dark.  Of course, I hope that Roundabout Theatre Company is ready to fined for charging full price for the yet to open The Importance of Being Earnest to an unsuspecting subscription audience.  And that American Idiot gets fined for adding a new curtain call number that isn't listed in the Playbill.  And I want my money back from Legally Blonde, The Goodbye Girl, and two separate performances of Blood Brothers, all of which had to be stopped mid-show due to technical difficulties.  Oh, wait.  They were officially open at the time.  I guess I got screwed.

  • Happier news, if it really is news:  Apparently, Christopher Tierney will be attending the show tonight!  Great for him.  Really!

HAPPY BIRTHDAY: Vincent Gardenia, Late Actor (Glengarry Glen Ross, Ballroom)


JANUARY 8

HISTORY:
  • The Oldest Opening of the Week: In 1768, William Shakespeare's The Taming of the Shrew opened at the John Street Theatre.


  • Arguably the most famous production of The Pirates of Penzance opened on Broadway on this date in 1981.  Starring a heavy-hitting cast including Kevin Kline, George Rose, Rex Smith, Linda Ronstadt and Estelle Parsons, the show won the Tony for Best Revival and played an impressive 787 performances.

NEWS:
  • Apparently Christopher Tierney stayed home to recuperate today.

HAPPY BIRTHDAY: Tharon Musser, Late Lighting Designer (A Chorus Line, Follies, Dreamgirls)


JANUARY 9

HISTORY:

  • In 1961, Eugene Ionesco's play, Rhinoceros, opened at the Longacre Theatre, starring Zero Mostel, Eli Wallach, Anne Jackson and Jean Stapleton.  Mostel would win a Best Actor Tony, and the show would close after just 240 performances.

NEWS:
  • Four more shows closed on Broadway today: La Bete, In the Heights, A Free Man of Color and A Little Night Music.  (See list of blogs above for more info!)

  • Two shows went on hiatus: The Merchant of Venice, which returns on February 1, and Rock of Ages which is supposed to re-open at the Helen Hayes Theatre in March.

HAPPY BIRTHDAY: J.K. Simmons, Actor (Laughter on the 23rd Floor, Peter Pan, Guys and Dolls)


Comments?  Leave one here, email me at jkstheatrescene@yahoo.com, or Tweet me!
Jeff
2.131