Showing posts with label Tom Hollander. Show all posts
Showing posts with label Tom Hollander. Show all posts

Thursday, December 30, 2010

Any Human Heart (Series Wrap-Up)


The first episode finished with Logan Mountstuart (Matthew Macfayden) leaving to be a journalist in the Spanish Civil War on the news that his mistress Freya (Hayley Atwell) is pregnant.

Whilst there he runs into old friend Ernest Hemingway (Julian Ovenden) and obtains some paintings by Miro that he gives to his friend Ben (Ed Stoppard), an aspiring art dealer. He goes through an acrimonious divorce from Lottie (Emerald Fennell), and moves into suburbia with his Freya, and their daughter Stella. It is not just Logan who is facing problems of the heart, his old friend Peter's (Samuel West) infidelity to his wife of many years Tess (Holliday Grainger), leads to her committing suicide and in turn, Peter's conversion to Catholicism and release of a bestselling novel Guilt. After being a journalist, he is recruited by Ian Fleming (Tobias Menzies) into naval intelligence, where he posted to observe the Duke of Windsor (Tom Hollander) and Wallis Simpson (Gillian Anderson) in the Bahamas. Yet he is thrown out when he refuses to support the Duke when he tries to frame an innocent man for the murder of a local businessman. Logan is then sent into Switzerland to pose as a trap for the Nazis, but he is caught and thrown in prison. When he returns, he discovers Freya and Stella have been killed in a rocket attack.

Some years later, Logan is now living in America, working for Ben and married to an American, Allanah (Natasha Little) and her daughter Gail (Skye Bennett). However, his somewhat staid lifestyle and lack of inspiration has led him to turn to alcohol and in turn to therapy with Dr Bryne (Richard Schiff). On a visit to London, he then embarks on yet another affair, this time with Peter's third wife Gloria (Kim Cattrall). When he returns to New York, Allanah leaves him for another man. Yet soon, Lionel, Logan's son from his marriage to Lottie, turns up with a new name and with a band in order to find success in America. Tragedy strikes again when Lionel dies of a drug overdose, and Lottie blames her ex-husband. Logan responds by embarking on a love affair with Monday (Lydia Wilson), his son's girlfriend and a minor, leaving him open to prosecution. Ben advises him to flee the country.

More years have passed, Logan (now played by Jim Broadbent) lives a frugal existence in a basement flat in London, which he purchased when his mother died. Gloria, now divorced from both Peter and an Italian count, returns to him, dying from cancer and spends the last few days of her life with him. As Logan moves on from the loss of a dear friend, and the news that Ben is suffering from cancer, he too finds himself in hospital after he is hit by a truck when leaving follows outside the house where he once lived with Freya. Logan is devastated by the news that Ben has died whilst he's been in hospital and is left with little chance of earning any more money. Whilst he makes do, while leaving on a diet of dog food stew, he discovers the Socialist Patient's Collective, believing that it is to help improve patient care in England. What it actually is is a left-wing organisation working to free the Baader-Mainhof gang. When Logan discovers this, he quits the group and moves to the house in France that an old poet friend left for him in his will. Whilst living there, he meets a wealthy divorcee, Gabrielle Dupetit (Valerie Kaprisky), who reminds him very much of Freya. News soon meets him that Peter too has passed away, whilst researching for his new novel, and as the last one now alive, Logan gets rid of his plans for a novel, and decides to spend his time writing a memoir, based around the women he has loved; Tess, Land, Lottie, Freya, Gail, Gloria and Gabrielle.

Any Human Heart was stunning. A roller coaster-ride of emotions accompanied each episode, as the fine performances pushed the story onward. Whilst it is like Forrest Gump in that it is hard to imagine that one man could have played an important part in all these social movements, the backdrop of these events makes Logan's own story the more interesting.

I mentioned in my last post how much I adore the performances of the ensemble cast, and this is not diminished in the other episodes. Matthew Macfayden is wonderful as the imprisoned and heartbroken Mountstuart, who attempts to find solace in alcohol and women. Jim Broadbent plays Logan in the final years of his life and was remarkable detailing Logan's decline from a man who is still very much the man he was in his younger years, just with less money and less hair, to an elderly, somewhat frail man.

Other good performances come from Hayley Atwell as Freya, Tom Hollander as the annoying and cruel Duke of Windsor, and most of all from Kim Cattrall as Gloria. I'd only ever associated Cattrall with the few Sex & The City episodes I'd seen, and she surprised me with her wonderful performance as Gloria, who goes from a vivacious and flirty women to one who is very, very ill. I also got a bit of a chick out of seeing Richard Schiff, who I adore as Toby in The West Wing, playing Logan's American psychologist-who would appear to be a bit of a fraud (when Logan steals a look at his notes it is merely doodles) but perhaps represents the idea that the best form of treatment could be having someone to talk to, about anything.

Channel 4 has really surprised me with this and Pillars of the Earth, and I hope that more good dramas come from them in 2011.

Wednesday, December 22, 2010

In the Loop


Based on Armando Iannucci's BBC series
The Thick of It, In the Loop is a satrical look at the relationship between America and Britain in the run-up to the invasion of Iraq. The film begins with the MP for International Development, Simon Foster (Tom Hollander), saying in an interview that he believed that war was 'unforseeable', going against the government's 'line' on the growing hostility in the Middle East. Even after being repremanded by Malcolm Tucker (Peter Capaldi) the Director of Communications for the Prime Minister, Foster goes on to say that people must 'climb the mountain of conflict'. Foster's remarks coincide with a visit to England by various American officials, including anti-war Assistant Secretary of State for Diplomacy Karen Clark (Mimi Kennedy) and pro-war Assistant Secretary of State for Policy Linton Barwick (David Rasche) both of whom try and use Foster as an English supporter for their policies.

The movement of
The Thick of It from the small screen to a film is mostly successful. In the Loop keeps the television series' almost documentary style filming, and semi-improvised dialogue. Plus, many of the actors who have been seen in the BBC series appear again in the film; in addition to Capaldi and Hollander, Chris Addison, Paul Higgins, James Smith, Olivia Poulet and Joanna Scanlan also all appear, although only Capaldi and Higgins play the same characters. There are also cameos by James Gandolfini (of Sopranos fame) as General Miller of the Pentagon and Steve Coogan as Paul Michaelson, one of Foster's consitutents. However, it could be the case that the film could appear quite 'small' on a cinema screen, as I've only watched it at home I could not comment on it, but it is more intimate even than other TV shows that deal with politics, such as The West Wing.

Pretty much all of the performances are pretty solid. Peter Capaldi is brilliant as the fearsome Malcolm, also bringing some softness to the role as well as a foul mouth, and Tom Hollander is also good as a politican desperatly trying to keep hold of his principals (whatever they may be). Addison, despite saying he is in no way an actor, is good as the slightly arrogant Toby who is responsible to various press intrusions into the breakdown towards the war. On the American side, Gandolfini is brilliant as the big bear of a general and Zach Woods also turns in a good performance as Chad, the slightly creepy aide to Karen Clark, desperate to work for her counterpoint. Gina McKee also deserves recognition for a slightly small role as Foster's Director of Communications.

Whilst the film is essentially a comedy; the ending is somewhat bittersweet as the inevitable war action does go ahead, leaving Clark, Miller, Foster and Wright in the lurch. It is thought that it is this slight change in tone is the reason for In the Loop not doing as well in America, despite good reviews, as it was released around the inaugration of Barack Obama, and people had a different mood towards their politics.

I really enjoyed it, and I'm really hoping that The Thick of It, returns to our television screens soon.